A.K.A. The largest mortars in the German artillery that devastated the fortifications of the allied front during World War I.
Ominous pads, rolling low end and mechanical percussion kickstart Bertha Krupp into action. As the siege continues, the track bounces along; dropping relentlessly and progressing into a state of panic following plenty of false starts in a deep breakdown.
Referencing the name given to the final series of attacks from the German Army on the Western Front in 1918, after years and years of stalemate this was the final desperate push for victory before the Americans threw their full might in.
FDL opens with a long, rolling march before unleashing a barrage of monstrous low end and raging industrial repetition. The track finally relents, collapsing into a dominant arpeggio as the attack on the senses slowly fades away.
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